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餐厅

餐厅

客房

客房

客房

大厅

外观

外观

土耳其伊斯坦布尔塞拉宫凯宾斯基酒店

Çirağan Palace Kempinski Istanbul,Turkey

www.kempinski.com/tr/istanbul/ciragan-palace/

历史的车轮回转到1863年,奥斯曼帝国皇帝苏丹阿卜杜拉赛斯(Abdulaziz)在面临博斯普鲁斯海峡的风水宝地,推倒先人们的宫殿学校和清真寺,开建自己的皇宫,也是整个奥斯曼帝国的最后一座皇宫:塞拉宫。


1910年,塞拉宫着了一场大火,内部精美的木制装修全部烧掉,但外墙完好无损。1989年,一个有眼光的日本公司买下废弃几十年的塞拉宫,随即在1992年对其维修扩建,引进德国的凯宾斯基酒店品牌,变成现在著名的为数不多的“世界历史酒店”成员,也成为CNN Go评选的全球15个最昂贵酒店中的第14个。


塞拉宫由亚美尼亚建筑师尼古卡尤斯宝颜(Nigogayos Balyan)设计,他的两个儿子负责建造。宝颜家族的九位建筑设计师于18和19世纪为帝国六代苏丹服务过,对奥斯曼建筑的西方化发挥了主要作用,留下大量建筑杰作。他们一改传统圆拱尖塔的奥斯曼通俗建筑风格,转向富丽堂皇雕饰豪华注重对称的巴洛克特色,但又保留了拱窗多几何图案的伊斯兰风格,特别是建筑外窗下标准的钟乳结构造型。这有别于摩洛哥和伊朗的钟乳结构,是奥斯曼独有的装饰。


在新的塞拉宫里,墙面上没有彰显现代奢华的雕饰,只挂了些老油画,绿色大理石立柱更衬托着大殿的高雅,古风斑驳耐人寻味。从一层到三层通透的中央高大天花下也装了一个巨大的土豪吊灯,告诉人们不要忘记老宫殿昔日的辉煌。天井的四周和上下楼的扶手栏杆垂直方向上安装了间隔很密的玻璃材质的曲面造型,由于殿堂采光充足,玻璃柱既透光又闪亮,配合着两端和中间金黄色隔断,让人叹服设计者的用心。楼层间墙面上的石膏和大理石雕刻图案尽显传统土耳其风格,角落中会客区沙发脚下的精美手工地毯,更使人坐在这里就强烈地感觉到正身处有别欧洲的另一个世界。


宫殿二层面对海峡一侧改造成了一个传统土耳其餐厅,菜点的精美和服务水平不亚于巴黎的米其林星级餐馆。大殿外与酒店新楼之间是一方占地两公顷有余的硕大广场,草坪露天餐厅游泳池茶座散落其中,夏天晚上客人络绎不绝,一直喧嚣到后半夜。


酒店是凯宾斯基品牌,却是土耳其人自己在管理经营,服务很标准很周到很贴心,除了不厌其烦的微笑和问好外,更十分注重细节。

Back to 1863, the Osman emperor Abdulaziz tore down the ancestors‘ palace, schools and mosques and built his own palace facing the Strait of Bosporus and backed by hills. This is also the last imperial palace of the whole Osman empire: Ciragan palace.


In 1910, Ciragan palace caught a fire, which burnt down all the interior of the fine wooden decoration, though the outer wall remained intact. In 1989, a visionary Japanese company bought the Ciragan palace; in 1992, they proceeded with the maintenance and expansion, and introduced the German hotel brand Kempinski. Now this palace has become one of the few ”World History Hotel” members, and was also elected as the 14th of the 15 most expensive global hotels award on CNN Go. 


Ciragan Palace is designed by the Armenia architect Nigogayos Balyan, and built by his two sons. In the 18th and 19th Century, the 9th architect in the Balyan family served the 6th Sultan of the Empire, and for this reason, a large number of architectural masterpieces were preserved due to the Westernization of the Osman architecture. 


There is no modern luxury decoration on the wall, just some old paintings. The green marble pillars reflect the elegance of the hall, mottled and intriguing. From the high ceiling standing above all three floors, hung another an opulent chandelier, to remind people not to forget the former splendour of the old palace. Around the patio, on the handrail was installed vertically the curvy glass decoration, here, from the adequate lighting of the hall, come the shining glass pillars, together with the golden division in the middle and two sides, the design is simply amazing. The plaster and marble carving patterns on the wall show the traditional Turkish style, the exquisite handmade carpets in the corner also induced a strong feeling that one is somewhere else in Europe.


On the second floor of the Palace, the side facing the Strait was turned into a traditional Turkish restaurant, the cuisine and service level is as good as Michelin star restaurant in Paris. Between the hall and hotel building is a large square covering an area of more than two hectares, there you find the lawn.

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